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主题:老文章:扬声器的功率

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khaudio
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  发帖心情 Post By:2006-12-29 13:01:16 [只看该作者]

   学习了!

   顶上!


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yunfei9361
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  发帖心情 Post By:2006-12-29 16:42:48 [只看该作者]

学习了,谢谢

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Paul
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  发帖心情 Post By:2006-12-31 14:33:04 [只看该作者]

ke i


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hifi007
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  发帖心情 Post By:2007-1-5 10:33:42 [只看该作者]


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北乔峰
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  发帖心情 Post By:2007-1-9 14:51:07 [只看该作者]

理论,这就是理论!先谢谢!慢慢啃!

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WAMM
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  发帖心情 Post By:2007-1-9 15:40:30 [只看该作者]

顶!


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fxyc
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  发帖心情 Post By:2007-1-10 10:53:11 [只看该作者]

好东东呀,多谢提供!


青山不老,为雪白头          

绿水无忧,因风皱面
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帅哥哟,离线,有人找我吗?
WAMM
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  发帖心情 Post By:2007-1-11 14:40:21 [只看该作者]

请问节目功率是什么意思?不是很理解...
[此贴子已经被作者于2007-01-11 16:16:07编辑过]

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speakers
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  发帖心情 Post By:2007-1-11 21:25:20 [只看该作者]

谢谢老兵提供如此有用的资料!

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landxin168
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  发帖心情 Post By:2007-1-19 14:23:50 [只看该作者]

顶一下

 

图片点击可在新窗口打开查看图片点击可在新窗口打开查看图片点击可在新窗口打开查看图片点击可在新窗口打开查看


扬声器爱好者,QQ:531267105
手机音圈生产厂
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鸿翼春秋
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  发帖心情 Post By:2007-1-22 16:41:52 [只看该作者]

网络世界无限好

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wuweijun
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  发帖心情 Post By:2007-1-22 17:17:30 [只看该作者]

谢了!多向大哥大姐们学习。

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一个老兵
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  发帖心情 Post By:2007-1-23 1:14:44 [只看该作者]

以下是引用WAMM在2007-01-11 14:40:21的发言:
请问节目功率是什么意思?不是很理解...

本帖文章本身是有解释的了,说它是个比较过时的命名.

再粗略地讲,就是根据一般节目信号频率成分的统计规律,模拟设计一个滤波器,

然后在对扬声器系统做功率实验的时候,在信号通道中接上这个节目滤波器.

在这种条件下,得到的扬声器功率就是节目功率.

我这儿再给出一个链接,是EAW的文挡,可参考.

http://www.eaw.com/APP/pdf/AmplifierPower.pdf

我个人认为要正确理解扬声器功率的话,必须要好好读扬声器标准.

我在这儿要强调,我在这儿发的东西是给大家参考的,

如有和标准矛盾的地方,当然要按标准的文本为准.

标准文本不是没缺点或偏向,但是那些毕竟是多少专家的讨论成果.

比如IEC60268-5,一次次修改,够完善的了.


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一个老兵
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  发帖心情 Post By:2007-1-23 1:19:45 [只看该作者]

再贴一篇供参考吧.

---------------------

Properly matching loudspeakers
and power amplifiers
By Keith Clark
PSW Editorial Director
 

1 2

 

One of the questions most commonly asked of loudspeaker manufacturers

concerns the matching of power amplifiers to loudspeakers.

Manufacturers will tell you that the majority of loudspeaker failures

encountered by their service department are the result of improper

power matching. It might seem logical to use a smaller amplifier as a

safety measure; after all, it stands to reason that there won't be

enough power to damage the loudspeaker.

Yet they see many more loudspeaker failures due to under powering than

any other cause. When the amplifier exceeds its maximum voltage

capability, it can "clip" the peaks off the electrical signal it is

supplying.

Once the amplifier starts clipping, the average (or RMS) level rises,

which can be extremely damaging to the loudspeaker. In layman's terms,

for example, your 200-watt amplifier can approach delivery of 800 watts

of power, but it will be volatile and heavily distorted, and thus

potentially quite harmful to the loudspeaker.

However, using an amplifier that is much more powerful than the

loudspeaker's rating can do just as much damage. Supplying the speaker

with more power than it can handle will often result in thermal (heat)

and/or mechanical damage.

Basically, any amplifier with a 20Hz - 20kHz power rating that matches

other specifications of a given loudspeaker will safely drive that

speaker at full output under most conditions. Therefore it's vital to

understand the meaning and impact of the most important loudspeaker

specifications as they relate to amplifiers.

First, there's power handling capacity, usually defined by terms such

as "Continuous," "Program" and "Peak". Continuous is the level of long

-term average power accepted by the loudspeaker; Program is based upon

a test signal that simulates a "real-world" program signal; and Peak

refers to the maximum amount of short-term power the loudspeaker will

handle.

Based on these terms, then, what is the proper amplifier choice to

capably and safely drive a loudspeaker rated at 100 watts continuous,

220 watts program, and 400 watts peak? The best choice would be an

amplifier delivering about 200 (continuous) watts per channel. Plenty

of power for normal full-range operation while also capable of meeting

short-term peak demands without going into clip.


 
 
 
 

 
  It should be noted that although an amplifier delivering 200 watts

per channel is appropriate for use with a full-range loudspeaker rated

at 220 watts program, subwoofer enclosures tend to require a bit more

power to generate their lower frequencies. In other words, a single

mono subwoofer rated at 200 watts should be paired with an amp offering

absolutely no less than 200 watts.

In fact, a good rule of thumb when dealing with subwoofers is to employ

an amp rated somewhere in the vicinity of 20 percent higher than the

subwoofer. With that in mind, a 250-watt amplifier would be ideal in

this application.

Another factor to be aware of is the impedance load that the amplifier

is being required to drive. Impedance is the resistance to the flow of

the audio signal by the loudspeaker. Measured in ohms, it is usually

called "nominal impedance" by most loudspeaker manufacturers.

A mismatch in impedance between an amplifier and loudspeaker can result

in poor performance, in the form of improper frequency response and

excessive distortion. Serious damage to one or both components is also

a very real possibility.

Most professional loudspeakers are rated at either 8 ohms or 4 ohms,

although a number of power amplifiers are specified to drive loads

ranging from 16 ohms to 2 ohms. You'll notice that the lower the

impedance, the greater the amplifier power rating. More power is

required to overcome the increased resistance.

For example, a loudspeaker delivering 110 watts at 8 ohms will also

likely be specified to deliver about 150 watts at 4 ohms. Consider our

prior discussion of power handling, and you quickly see why its

important to note a loudspeaker's impedance specification in the

matching process.

It's usually best to avoid 2-ohm operation, which can unnecessarily

stress an amplifier, and also can require much larger (heavier gauge)

cable to effectively and safely transport the load.

And speaking of cable, why go to all of the trouble of properly

matching loudspeakers and amplifiers if the link between them is

subpar? Most manufacturers recommend using heavy gauge (#14-#10),

professionally manufactured cable in all applications. A good rule of

thumb is the heavier the cable, the more efficient it will be as a

conduit between the devices.

(Thanks to the gang at EAW for their input on this topic.)



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ljnwnc
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  发帖心情 Post By:2007-1-24 0:35:59 [只看该作者]

好资料   thanks

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后卫
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  发帖心情 Post By:2007-1-24 11:54:56 [只看该作者]

老兵同志,(34楼)凌晨1点多还活跃着啊?辛苦了.

功率一文曾在虎门某厂看过,当然,我进去那厂时,老兵同志已离厂许久了.有些同事还保留着那篇著作.



鸿鹄高飞,一举千里。羽翼已就,横绝四海。
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一个老兵
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  发帖心情 Post By:2007-1-25 0:14:10 [只看该作者]

谢谢.

关于功率实验,我想这是你厂的重头戏.

我想你们的难度不小,因为客户来自各方.
掌握好标准是对策.

有时客户的要求不尽合理,
比如用白噪音信号衡量高音单元的寿命.

节目滤波器的概念和实施很重要,
不要造成"冤假错案"啊.
因此开发和品管人员的配合至关重要.

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WAMM
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  发帖心情 Post By:2007-1-25 13:42:30 [只看该作者]

现在理解了,谢谢杨老师!!

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liyy
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  发帖心情 Post By:2007-1-25 17:09:19 [只看该作者]

峰值因数也是相当重要的,限幅器在功率试验中也是必不可少的


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一个老兵
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  发帖心情 Post By:2007-1-26 13:45:17 [只看该作者]

以下是引用liyy在2007-01-25 17:09:19的发言:

峰值因数也是相当重要的,限幅器在功率试验中也是必不可少的

是.

不用和错用也会误判.


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