标题：[转帖]IEAT2007会议邀请函
会议投稿 | 截止日期 |
摘要（200字以下） | 2007年2月12日 |
全文（4~6页论文） | 2007年3月16日 |
提前注册 （2007年2月12日前） | 正常时间注册 （2007年3月16日起） | |
论文作者 | 每篇论文免一位作者的注册费 | |
与会人员 | 300元/人（不含食宿） | 400元/人（不含食宿） |
姓名 | 职务 | |||
单位 | 地址 | |||
电话 | 邮编 | |||
传真 | E-mail | |||
同单位的其他参与者 | ||||
我参加的会议地点 | （ ） A. 南京 B. 深圳 | |||
我想参加的活动时间 | （ ） A. 两天 B. 一天 C.只听特邀报告演讲 | |||
我想预订房间 | （ ） A. 单人间 B. 双人间 | |||
我希望的房费标准 | （ ） A. 100元/天/间 B. 300元/天/间 C. 500元/天/间 | |||
我希望参加会议用餐 | （ ） A. 早餐 B. 午餐 C.晚餐 | |||
我希望的餐费标准 | （ ） A. 100元/天/位 B. 200元/天/位 C. 300元/天/位 | |||
我支付会务费时间 | （ ） A. 2月12日前300元/位 B. 3月16日后400元/位 | |||
其他要求 | ||||
顶
这些嘉宾我最感兴趣的是Floyd E. Toole先生，他可是在国际电声界大名鼎鼎啊，"Harman"公司、JBL发展到今天和他所做的贡献是分不开的，难怪”JBL“网站介绍他时称他为是”JBL“的精神领袖
Peter Larsen, B.Sc. EE. started his career with SEAS in 1974 and was Chief Engineer for Vifa-Speak 1979-1987. Thereafter Dynaudio 1987-1990 and JBL in USA until 1993
From 1993 Peter Larsen has worked as an independent consultant for leading loudspeaker factories all over the world: Audax in France, KEF Audio in UK, Goldmax in China, Vifa-Speak in Denmark, Peerless Fabrikkerne of India, and NXT in UK.
During the period as an independent consultant Peter Larsen has specialized in in-depth analysis of loudspeakers and manufacturing techniques, research concerning new components and materials, advanced Acoustic Finite Element modelling, new measuring methods, novel speaker design concepts and development of several customized products (private label).
During the same period Peter Larsen has developed and marketed globally special software for speaker development and design.
He began with BS and MS Degrees in Electrical Engineering from the University of Rhode Island with Highest Distinction. He has worked at BOSE, TC Sounds, Acoustic Systems Inc., and P. Audio Systems Co. before coming to S. M. Audio Engineering.
Steve Mowry began his professional transducer-engineering career at BOSE Corp. as an R&D Engineer III within the Transducer R&D group (TRES). At BOSE, Steve was initially responsible for supporting the OEM Division whose customers included GM, Nissan, Honda, VW, Mazda, and IBM. After a reorganization of the Transducer Group at BOSE in 1996, Steve was reassigned to support the Component Audio (Home & Hi-Fi) Division.
In 1998, Steve joined an OEM subwoofer and competition car audio transducer manufacturer in San Diego, CA as Chief Engineer. That company supplied transducers to ECLIPSE F10, SunFire, and several small companies that distributed after market transducers and systems. Steve left for Asia in 1999 to work as Manager of R&D for a medium sized OEM transducer and system manufacturer in Penang, Malaysia. In Malaysia, Steve supported transducer Design and Development for customers including Philips, RCA/Thompson, Polk Audio, JBL, and several smaller companies marketing systems internationally.
Steve then joined the A-TON Acoustics Group as Director of Engineering for the A-TON Acoustics Group, with headquarters in Bangkok. After his contact expired he decided to join S. M. Audio Engineering.
With almost seven years of experience working with customers utilizing transducer and system manufacturing facilities within Asia, S. M. Audio Engineering has come to the realization that technical engineering services are not the only elements of effective new transducer and system development projects. Steve is an active member of the Boston Chapter of the Society of Concurrent Product Development and also has earned a BS Degree in Business Administration from Bryant College in Smithfield, Rhode Island. S. M. Audio Engineering practices and utilizes Concurrent Engineering; Design for Manufacturability, Assembly and Reliability; Failure Modes and Effects Analysis; Quality Function Deployment; and Design of Experiments as development project management tools.
For more detailed information, you can read Steve's Resume. You can contact Steve at steve@s-m-audio.com.
Resume |
BIO | One of the first graduate student pioneers to emerge from MIT's Art and Media Technology program in 1981, Ken Kantor has enjoyed a celebrated career as a technologist, product designer and entrepreneur in the consumer electronics industry.
Ken left Vergence in the Fall of 2000 to help launch IAS Technology with a small group of audio luminaries. He is presently CTO at Tymphany Corporation in |
WORK HISTORY | 2003 - Present | Tymphany Corporation |
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| Founder, CTO, Fellow |
| Planning, invention and implementation of new loudspeaker transducers which provide higher space and form-factor efficiency than previous designs. Strategic technical management; acquisition, investment and growth programs. General business development. Concept evangelism. Acquired DST Corporation (Denmark and China) in 2005. |
| 2001 - 2003 | Intelligent Audio Systems, Inc. |
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| Co-Founder, CTO |
| R&D programs and IP to substantially improve the listening experience through signal processing techniques which allow the design of a new generation of easy-to-use, self-installing subwoofer and loudspeaker products. |
| 1997 - 2000 | Vergence Technology, Inc. |
|
| Managing Director, CTO |
| Co-Founder, Board of Directors. Involved in all significant financial, operational and strategic initiatives of the company. Responsible for research, concept and product development, manufacturing, press and public relations, fundraising. Engineered innovative and highly regarded broadcast audio products, including mixed signal circuit design, imbedded software, mechanical and acoustical development. Company sold to Rockford Corp. (ROFO) |
| 1990 - 1997 | International Jensen, Inc. |
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| VP Technology |
| Founding shareholder and Corporate Officer, reporting to Chairman of the Board. Supervised R&D activities throughout the organization; assured product innovation and technological competitiveness. Patents in DSP, acoustics. Planning and management of technical activities. Authored corporate strategic diversification and growth plan. Advised BOD regarding investment and resource allocation. Liaison with industry, academia, key OEM customers. Negotiations, technology valuation and due diligence for strategic acquisitions. Planning and implementation of NASDAQ IPO strategy, road show. |
| 1987 - 1990 | NHT, Inc. |
|
| Executive VP |
| Co-founder of successful audio manufacturer. Key in the formulation of all business and financial plans, marketing and product development strategies, fundraising and PR activities. First high-end minispeaker. Industry-first Home Theater tower, compact powered sub. Bench engineering of establishing products, including mixed signal analog and acoustics, related patents. Sold to Intl. Jensen. (IJIN) |
| 1986 - 1987 | MultiVision Products |
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| VP Engineering |
| Venture funded start-up developing custom IC's for digital video signal processing. Hired by investors to reorganize Engineering Dept., reduce product cost and improve reliability. |
| 1986 - 1990 | PDES |
|
| Owner |
| Consulting firm with a broad base of technology clients in the |
| 1983 - 1986 | Teledyne Acoustic Research |
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| Director, R&D |
| Managed R&D for what was at the time, the world's largest manufacturer of loudspeakers and related audio products. Introduced a number of innovative products, including the first adaptive DSP audio product and the first psychoacoustically enhanced loudspeaker system. Also responsible for setting long-range technical goals, press liaison. Substantial bench engineering, analog and digital circuit design. |
| 1981 - 1982 | NAD |
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| Design Engineer |
| Designed high-performance audio electronics, including amplifiers, preamplifiers and turntables. Designed and built custom analog and digital test equipment to improve the speed and accuracy of data collection. Evaluation and testing of loudspeaker and tuner products.
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EDUCATION | 1984 | Teledyne, Inc. |
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| Certification |
| Accounting For Non-Financial Managers. Intensive seminar for executives nominated by local management. |
| 1983 | Massachusetts Institute of Technology |
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| Fellowship |
| Post Graduate Fellowship at the Center for Advanced Visual Studies. Graduate-level teaching and research in art and media technology. |
| 1981 |
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| Master's Degree |
| Center for Advanced Visual Studies, Arts and Media Technology Program. Interdisciplinary activities with media artists and scientists developing paradigms, methods and creative content for new information storage and distribution technologies. Data compression, laser and holographic displays, video signal processing, digital photography, etc. Private industry, government and Institute support. Thesis: "Radio Frequency Performance." Presentation and exhibitions at the Smithsonian, Paris Museum of Modern Art, elsewhere. |
| 1979 |
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| Bachelor's Degree |
| Department of Electrical Engineering and Computer Science. Mixed signal circuit design, data acquisition, acoustics and communications biophysics. Minor in Music. UROP Grant for interactive multimedia research. MIT Seed Fund Grant for small-computer-based digital video processor. Undergraduate thesis advisor was Department Chair Emeritus and Director of the Research Laboratory of Electronics. |
OTHER | 2000 - Present | Various | Patent & IP consulting, expert testimony |
| 1985 - 1996 | Audio Video International | 3x Award Recipient “Product of the Year” |
| 1995 - 1998 | Etown.com | Tech Columnist |
| 1990 - 1994 | IEEE | Administrative Committee, Consumer Electronics Society |
| 1986 - 1988 | Audio Video Interiors Magazine | Technical Editor, Columnist |
| 1984 - 2004 | EIA CEG | 12x Award Recipient, Panelist |
| 1984 - 1988 | Audio Engineering Society | Committee Member |
Floyd E. Toole, Maximizing Loudspeaker Performance in Rooms, Harman International Industries
Floyd E. Toole, Making a good Loudspeaker - Imaging, space and great sound in rooms, Harman International Industries
Floyd E. Toole, Getting the Bass Right , Harman International Industries
Presentations and technical papers are the heart of AES Conventions. Ranging from illuminating ("Advanced Watermarking and Its Applications) to impenetrable ("The Influence of Viscothermal Effects on Calibration Measurements in a Tube"), AES papers cover new research and technology on every conceivable audio topic. Due to limited time (and the fact that all papers are available as AES preprints at http://www.aes.org/, while audio cassettes of presentations and workshops can be ordered from http://www.mobiltape.com/), our coverage was primarily confined to product exhibitions and demos. However, we made an exception for the inspired tutorial and technology round-up delivered by Dr. Floyd E. Toole of Harmon International Industries, Inc., who clearly and eloquently presented the results of his extensive research into "The Acoustics and Psychoacoustics of Loudpeakers and Rooms—the Stereo Past and the Multichannel Future." |  |
 | Tackling rampant misconceptions based on bad science (which he termed "BS" for short), Dr. Toole held a large conference room spellbound for an uninterrupted 2½ hours as he explained key points about his methodology and findings. Charting the differences in subjective ratings between sighted and blind speaker evaluations, he identified the factors which, when properly controlled, yield subjective data. that closely tracks measured speaker performance. Dr. Toole went on to identify the performance characteristics of various speaker designs, and their interaction with room effects. |
After completing his presentation, Dr. Toole enjoyed a colleagial exchange with Laurence Fincham, who replaced Tom Holman at the helm of Lucasfilm Ltd's THX Division. |  |
 | Not all AES presentations enjoy equally prestigious venues, as we can see in one of the Convention's hallway "Poster Presentation" alternatives to dedicated room sessions. Here, Mitsukazu Kuze of Matsushita Electric Industrial Co. explains, to anyone who happens by, his company's research in developing Piezo-electric super-tweeters for DVD-Audio. |